fiep 1988

1988
Maakt
kleurenillustraties voor ‘Tante Patent en de grote Sof’ van Annie M.G. Schmidt.
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fiep 1990
1990

Laatste project samen
met Annie M.G Schmidt: kinderboekenweek-geschenk ‘Jorrie en Snorrie’.
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fiep 1993
1993
Onthult op de Waalkade in Zaltbommel het standbeeld van Jip en Janneke, gemaakt door Ton Koops.

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fiep 1997
1997
Ontvangt de Oeuvre Penseel van de CPNB. Uitgeverij Querido geeft de bundel ‘Misschien wel echt gebeurd’ van Annie M.G. Schmidt uit.
De illustratie voor de omslag, een heksje en een reus, is Fiep Westendorps laatste illustratie.
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fiep 2000
2000

Gioia Smid maakt een begin met het archiveren van de tekeningen van Fiep Westendorp. 

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fiep 2003
2003
50 jaar Jip en Janneke, tentoonstelling en biografie.
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fiep 2004
2004, 3 FEBRUARI

Overlijdt op 87-jarige leeftijd in Amsterdam.

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lees meer

> lees verder: 2004-nu

Jorrie en Snorrie

In 1990 the CPNB (the Association for the Promotion of Dutch Books) asked Annie and Fiep to make the gift book for the Children’s Book Week which they organize. It was to be their last project together.

Initially Annie wanted to make a comic strip with the illustrations integrated into the text, but 
eventually Fiep and Annie decided to follow the well-tried pattern of a story with illustrations. Jorrie en Snorrie is about a train, a special celebration train, which almost becomes the target of terrorist activities. Thanks to the little girl Jorrie and the train conductor Snorrie everything turns out all right, after a day of wild adventures.

While drawing the train, Fiep was confronted with the same problems she had always had with technical subjects. To find out more about trains, she visited the Railway Museum in Utrecht. ‘I looked at all kinds of trains there, but I didn’t like any of them. These days trains don’t have wheels with spokes any more, and those are what I like to draw’. ‘Do you know 
what we’ll do?’, said Annie, ‘we’ll make it a celebration train. Then you can draw wheels with spokes’. And that is just what we did, said Fiep in an interview. However, she was not at all satisfied with the book, mainly because of the quality of the printing and the paper. She thought the drawings, which were very detailed and drawn in thin lines, had been printed with much too much ink, so that their subtlety was lost. ‘If you were Fiep, you would be miserable too. There wasn’t much the CPNB could do to ruin Annie’s texts, but my illustrations came 
out as splodgy messes,’ Fiep told a journalist.