fiep 1972
1972
Illustreert de bundel ‘Het hele schaap Veronica’ van Annie M.G. Schmidt. Moderniseert de silhouetten van Jip en Janneke. Maakt illustraties voor het tijdschrift Opzij en voor de Margriet. Deze hebben veelal de emancipatie van de vrouw als thema.
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fiep 1975
1975

De HEMA beeldt de illustraties van Jip en Janneke af op zijn producten. Dit initiatief wordt in 1991 opnieuw, voor meerdere jaren, opgepakt.
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fiep 1976
1976
Illustreert haar lievelingsboek ‘Rijmpjes en versjes uit de nieuwe doos’ van Han G. Hoekstra. Het kleuterblad BOBO publiceert kleurenillustraties van Jip en Janneke.
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fiep 1979
1979
In de Margriet ontstaat Otje, in samenwerking met Annie M.G. Schmidt.
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fiep 1981
1981
Maakt voor kleuterblad BOBO talloze omslag-illustraties, waaronder
kleurenenillustraties voor ‘De avonturen van Pim en Pom’ van Mies Bouhuys.
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fiep 1983
1983
Illustraties voor ‘De IJsmuts van Prins Karel en nog veel meer’ van Han G. Hoekstra.
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fiep 1986
1986
Illustreert in opdracht van Bobo ‘Het geheim van Toermalijn’ van Mies Bouhuys.
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fiep 1987
1987
Illustreert de verzamelbundel ‘Ziezo’ met gedichtjes van Annie M.G. Schmidt.
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> lees verder:1988-2004

Het hele schaap Veronica


The poems about Veronica the sheep, the vicar and the Green ladies which Annie M.G. Schmidt wrote for Het Parool were all illustrated by Wim Bijmoer. When Reinold Kuipers of Querido wanted to publish a collection, he ran into serious problems in working with Bijmoer. Kuipers approached Fiep with an urgent request to illustrate the volume of poems. Fiep was unwilling to do this, but was eventually persuaded by Kuipers.

She created her own sheep, but Wim Bijmoer thought she had stolen ‘his’ sheep. Fortunately the two illustrators made up again later; Fiep was very glad about this, because after all they had always been good riends. In retrospect, Fiep thought she should not have let herself be put under so much pressure by Kuipers.

Jip and Janneke modernized
In the 1970s Fiep set out to modernize her Jip and Janneke figures. She thought the very first silhouettes of the two children were terribly old-fashioned, 
with their egg-shaped heads, their lanky arms and legs and droopy clothes; it was all wrong, 
thought Fiep. Over the five years during which the adventures of Jip and Janneke had appeared in Het Parool, the figures had already been gradually changing. Their heads had become rounder and their bodies stockier and more like those of young children. With the patience of a saint, Fiep set out to modernize the figures, with a new approach to their attitudes and shapes. At that point Jip and Janneke came to look as they do today.