fiep baby
1916, 17 DECEMBER
Sophia Maria Westendorp,
generally known as Fiep, is born in Zaltbommel.
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fiep kleuter
1921-1932

School years, Zaltbommel
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fiep puber
1932-1938

Royal College of Arts
and Crafts in
’s Hertogenbosch.
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fiep in de 20 1937
First illustration commission: the Zaltbommel tourist information guide.
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fiep in de 30 1938-1940
Rotterdam Art Academy.
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fiep 1939
1939

Commissioned to do wallpainting The Cormorant Colony for the Town Hall of Lekkerkerk.
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fiep 1940
1940-1943

Fiep lives in the home of Jan Campert and Clara Eggink in The Hague.
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fiep 1943
1943-1945

Evacuated from
Zaltbommel to Haaften, then to Opijnen and Tuyl. Forges passports and makes ground plans of the banks of the Waal for the Allied Forces.
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fiep 1945
1945

Moves to Amsterdam for good.
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fiep 1945-1948
1945-1948

Works as an illustrator at Vrij Nederland magazine and the world service of the Dutch broadcaster Radio Nederland. Also
illustrates for various
publishers such as De
Bezige Bij, Jacob van
Campen and Uitgeverij
Contact.
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> read on: 1946-1957

 

fiep diverse opdrachten

Through Clara and Jan, Fiep had met the poets Adriaan Roland Holst and Simon Carmiggelt, and it was through them that after the war she ended up in the circles of Vrij Nederland magazine and Het Parool newspaper, where she soon also had many commissions from the previously illegal publishing house De Bezige Bij to illustrate novels such as Veuve Vesuvius by F. Bordewijk, Jane Eyre by Charlotte Bronte and The Red Shoes by Hans Christian Andersen. She lived in a room on the De Lairessestraat and spent a great deal of time at her drawing board. Making a weekly illustration for Vrij Nederland was quite a job, especially if it was about a serious topic.

First children’s books
In 1945 Fiep illustrated Henriette van Eyk’s children’s book Sneeuw. 
Fiep’s line drawings in blue were subtly worked in between the text and in the margins. They are of graceful little figures. In 1947 Fiep illustrated Het verloren schaap by Han G. Hoekstra, a book of poems for children. Striking features of the illustrations in this book were again their elegant lines and their humorous tone, which matched the poems perfectly. Her collaboration with Han G. Hoekstra was a source of inspiration to her, and Fiep was to work with him frequently.