fiep 1988

1988
Makes colour illustrations for 'Tante Patent en de grote Sof' by Annie M.G. Schmidt.

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fiep 1990
1990

Last project with Annie
M.G. Schmidt: Children’s Book Week gift 'Jorrie en Snorrie'.
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fiep 1993
1993
Unveils sculpture of Jip
and Janneke, made by
Ton Koops, on the Waalkade in Zaltbommel.
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fiep 1997
1997
Receives the ‘Oeuvre
Penseel’ from the CPNB. Annie M.G. Schmidt’s book 'Misschien wel echt gebeurd' published by Querido. The cover illustrations of a witch and a giant were Fiep Westendorp’s last illustrations.
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fiep 2000
2000

Gioia Smid begins
to make an archive of Fiep Westendorp’s drawings. 

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fiep 2003
2003
50th anniversary of Jip
and Janneke, exhibition and biography.
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fiep 2004
2004, 3 FEBRUARI

Dies in Amsterdam at the age of 87.

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> read on: 2004-nu

Jorrie en Snorrie

In 1990 the CPNB (the Association for the Promotion of Dutch Books) asked Annie and Fiep to make the gift book for the Children’s Book Week which they organize. It was to be their last project together.

Initially Annie wanted to make a comic strip with the illustrations integrated into the text, but 
eventually Fiep and Annie decided to follow the well-tried pattern of a story with illustrations. Jorrie en Snorrie is about a train, a special celebration train, which almost becomes the target of terrorist activities. Thanks to the little girl Jorrie and the train conductor Snorrie everything turns out all right, after a day of wild adventures.

While drawing the train, Fiep was confronted with the same problems she had always had with technical subjects. To find out more about trains, she visited the Railway Museum in Utrecht. ‘I looked at all kinds of trains there, but I didn’t like any of them. These days trains don’t have wheels with spokes any more, and those are what I like to draw’. ‘Do you know 
what we’ll do?’, said Annie, ‘we’ll make it a celebration train. Then you can draw wheels with spokes’. And that is just what we did, said Fiep in an interview. However, she was not at all satisfied with the book, mainly because of the quality of the printing and the paper. She thought the drawings, which were very detailed and drawn in thin lines, had been printed with much too much ink, so that their subtlety was lost. ‘If you were Fiep, you would be miserable too. There wasn’t much the CPNB could do to ruin Annie’s texts, but my illustrations came 
out as splodgy messes,’ Fiep told a journalist.