fiep 1958
1958

Drie Stouterdjes, first series of promotional
books for the Dutch Persil Company. Later books about Prelientje and about Pluis and Poezeltje appear, all with texts by Annie M.G. Schmidt. The first publication about the adventures of Pim and Pom, written by Mies Bouhuys, appears in Het Parool. They also become known outside the Netherlands. Illustrates 'Viel Kinder, viel Segen! Ein Buch von Kindern und ihrer Entwicklung vom Schreihals zum Flegel' and makes illustrations for texts by authors including J.J. Rousseau and Mark Twain for the publishing house Diogenes Verlag in Zürich.
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fiep 1962
1962
Designs a mural for the children’s room of the Holland America Line’s ship the Nieuw Amsterdam. Makes drawings for Annie M.G. Schmidt’s 'Tante Patent'. This comic strip appears daily for a year in the GPD group of newspapers. Ibbeltje appears as a comic strip in Televizier. Commis-sioned by Venz, AnnieM.G. Schmidt writes a radio play. The umbrella with chocolate sprinkles which Fiep drew for the cover of the recording of the play was adopted as an icon for Venz’s advertisements.
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fiep 1968
1968
Fiep and Annie M.G. Schmidt create Floddertje for Nutricia. Floddertje appears in six promotion booklets. They are such a success that the publishing house Querido brings them out in a single volume. Pluk appears in Margriet magazine as a serial. Published in the book Pluk van de Petteflet in 1971.
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fiep 1968-1971 De avonturen van Pim en Pom
1968-1971
The adventures of Pim
and Pom appear in the GPD group of newspapers. In 1969 they are published in the Pim en Pomnibus.
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fiep 1970
1970
Makes an awardwinning drawing for a Unicef greeting card.
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lees meer

> read on:1971-1981

Floddertje Nutricia

It was high time for a new children’s book, thought Annie and Fiep. Or was it Hanny van 
der Horst, editor-in-chief of Margriet, who thought so? Anyway, Hanny wanted a story by Annie, but only if it was illustrated by Fiep.

From 28 September 1968 onwards, every fortnight a story by Annie appeared about a little 
boy called Pluk who had all sorts of adventures with his red breakdown lorry. The stories 
were illustrated in colour by Fiep. If colour illustrations were made for a magazine first, the 
litho costs entailed in publishing a book with colour illustrations would be considerably reduced, since the lithos would already be available. This was the way it was supposed to happen if De Arbeiderspers were to publish the book about Pluk. But in spite of the ready-made lithos, the publishers still thought the enterprise was too risky; a children’s book with so 
many colour illustrations would be much too expensive and would never sell enough copies. This was the reason why Fiep and Annie changed publishers and went to Querido, where their friend and former publisher Reinold Kuypers was the director. He thought the publication 
would be viable. In the mean-time, Pluk van de Petteflet has been reprinted 26 times!



For the book, Annie rewrote the instalments which had been published in Margriet. A few 
adventures were omitted. Recently most of the original illustrations for these instalments were rediscovered while an archive was being made of Fiep’s oeuvre. Some of these illustrations and the adventures of Pluk which they had illustrated and which had not previously been published in book form have now appeared in the book ‘Getekend: Fiep Westendorp’.