fiep 1958
1958

Drie Stouterdjes, first series of promotional
books for the Dutch Persil Company. Later books about Prelientje and about Pluis and Poezeltje appear, all with texts by Annie M.G. Schmidt. The first publication about the adventures of Pim and Pom, written by Mies Bouhuys, appears in Het Parool. They also become known outside the Netherlands. Illustrates 'Viel Kinder, viel Segen! Ein Buch von Kindern und ihrer Entwicklung vom Schreihals zum Flegel' and makes illustrations for texts by authors including J.J. Rousseau and Mark Twain for the publishing house Diogenes Verlag in Zürich.
>>>>
fiep 1962
1962
Designs a mural for the children’s room of the Holland America Line’s ship the Nieuw Amsterdam. Makes drawings for Annie M.G. Schmidt’s 'Tante Patent'. This comic strip appears daily for a year in the GPD group of newspapers. Ibbeltje appears as a comic strip in Televizier. Commis-sioned by Venz, AnnieM.G. Schmidt writes a radio play. The umbrella with chocolate sprinkles which Fiep drew for the cover of the recording of the play was adopted as an icon for Venz’s advertisements.
> read on
fiep 1968
1968
Fiep and Annie M.G. Schmidt create Floddertje for Nutricia. Floddertje appears in six promotion booklets. They are such a success that the publishing house Querido brings them out in a single volume. Pluk appears in Margriet magazine as a serial. Published in the book Pluk van de Petteflet in 1971.
> read on
fiep 1968-1971 De avonturen van Pim en Pom
1968-1971
The adventures of Pim
and Pom appear in the GPD group of newspapers. In 1969 they are published in the Pim en Pomnibus.
> read on

fiep 1970
1970
Makes an awardwinning drawing for a Unicef greeting card.
> read on
lees meer

> read on:1971-1981

fiep 1962

Occasionally Fiep designed a painting for hoardings at construction sites of shop buildings, for example for 'Modehuis Lampe' and the children’s fashion shop 'Bambolino' in the Kalverstraat in Amsterdam. 


In 1962 Fiep received a commission she thought was very special: a wall painting for the children’s room of the Holland America Line’s cruise ship the Nieuw Amsterdam. She designed three pictures for it: the central panel showed the ship itself, surrounded by all sorts of little boats and ships full of children, on one side was a typical Dutch row of houses with 
pretty façades and on the other a row of New York skyscrapers with lots of children looking out from the windows. As she usually did, Fiep drew many different types of children, including a black one. The client then demanded that the black child be removed, but Fiep refused. ‘I would rather have torn up the drawings,’ growled Fiep, still indignant decades later.

The interior of the children’s room was lost, but the original designs for the wall panels were preserved. On the basis of these drawings and some photographs, a reconstruction of the children’s room was realized for the exhibition 'Getekend: Fiep Westendorp' held in the Kunsthal in 2003.